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Its deep dark red color anticipates an enveloping bouquet of blackberry jam, tobacco, spices, licorice and chocolate. In the mouth, its sumptuousness and elegance come through silky and perfectly balanced tannins, giving a long and satisfying finish.
Suggested pairings: Serve with game dishes, roast lamb and noble poultry, various grilled meats and spicy cheeses.
Serving temperature: 16-18°C.
The vintages of the wines shown in the detail and product sheet may be subject to change. If you would like a specific vintage you can let us know in the notes field of your order.
| Weight | N/A |
|---|---|
| Annata | 2016, 2018 |
| Denominazione | Umbria Rosso IGT |
| Prodotto | Red wine |
| Regione | Umbria |
| Volume cl | 75 |
| Alcol | 15% vol. |
| Cantina | Sportoletti |
Villa Fidelia Rosso – Sportoletti
Wine Villa Fidelia Rosso Sportoletti – An Umbrian Excellence to Savor
Expressing the essence of a territory through wine is an art that reaches its peak in Villa Fidelia Rosso Sportoletti, a vinous gem from Umbria that captivates the senses and stands out for its extraordinary quality.
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Cellar: Sportoletti
White Wine Territory, Where Time Stands Still
Antinori Castello della Sala is located in Umbria, a short distance from the Tuscan border, about 18 kilometers from the historic city of Orvieto. Leggi di più
Castello della Sala, a magnificent medieval manor with 600 hectares (1482 acres) of land 200 (495 acres) of which are planted with vineyards, is located halfway between the Paglia river and the summit of Monte Nibbio.
History
Castello della Sala was built in 1350 by Angelo Monaldeschi della Vipera whose family arrived in Italy in the IX century following Charlemagne’s troops.
The 1300’s marked the beginning of a long series of conflicts between family members in order to gain control over Orvieto. In 1437 Gentile, grandson of Angelo dei Monaldeschi della Vipera, gained control of the city and reigned as dictator for over a decade. Following Gentile’s death in 1466, a peaceful period started at the castle, culminating with the reconciliatory marriage of Gentile’s son, Pietro Antonio della Vipera, and his cousin Giovanna Monaldeschi della Cervara. The XVI century introduced a period of serenity: the citizens of Orvieto respected Pietro Antonio. Giovanna della Cervara began restoration work on Castello della Sala and commissioned a fresco in the chapel of the Three Wise Men at the entrance to the castle. The couple also became patrons of the magnificent Duomo of Orvieto and made contributions for the paintings done by Signorelli in the Capella Nuova. Pietro Antonio died in 1516 and following her husband’s wishes Giovanna donated Castello della Sala and its land to the Opera Pia Santa Maria otherwise known as the Duomo of Orvieto.
The castle belonged to the Duomo up until 1860 when the newly unified Italian government seized all church property after which it had a series of private owners. In 1940 Marchese Niccolò Antinori, Piero’s father, bought the estate fully aware of the fact that the area held great potential for producing fine white wines. After years of neglect, Castello della Sala moves towards a period of rebirth.
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